Bringing Nature Indoors: Incorporating Natural Elements in Interior Design

Integrating natural materials and earthy tones is an effortless way to blur the lines between indoors and out, infusing a space with the raw beauty of nature. Elements like live-edge wood tables, tree stump stools, and thick timber benches introduce a sense of organic warmth, while natural stone surfaces bring depth and grounding energy.

For a more immersive experience, living walls or cascading greenery can create a sculptural connection to the wild, even in contemporary interiors. Even the smallest touch—a single sculptural branch, a weathered ceramic pot, or a lush potted plant—can add artistry and soul to a space.

Given that we spend 90% of our time indoors, it’s essential to design environments that restore and inspire. A visual connection to nature doesn’t just enhance aesthetics—it promotes well-being, productivity, and a deeper sense of tranquility. Good architecture should be more than just shelter; it should breathe, evolve, and evoke emotion.

CURATE

21 Bone St. was founded on a deep reverence for the natural world—a philosophy that embraces the shifting beauty of seasons, textures, and the quiet energy of organic materials. Our mission is to reconnect people with nature, both through direct experience and through the spaces we inhabit.

The influence of nature in architectural design dates back centuries—from the Hanging Gardens of Babylon to the open-air sanctuaries of Japanese tea houses. What remains unchanged is the understanding that nature is never static—it moves, evolves, breathes.

To truly embrace nature-inspired interiors, we must acknowledge this fluidity. Design should not be frozen in time but should echo the world beyond the walls—whether through shifting light, the raw imperfection of aged materials, or the rhythmic balance of indoor and outdoor elements. A well-designed space does not imitate nature; it moves in harmony with it.

CURATE

Design exists on many levels. At its most basic, it is simply the act of assembling objects, a transaction of commerce and consumption—items placed together with little thought beyond function.

But beyond that, there is a second level—one that engages the senses, incorporating creativity, cultural context, and the weight of history. Here, design is no longer just seen but felt. It tells stories. It evokes. It refines.

Yet the highest level of design goes deeper still—it is an exercise of the mind. It is austere yet profound, simple yet enduring. It transcends fleeting trends and instead cultivates a space where both body and mind find balance, where design does not impose—but rather, it harmonizes.

CURATE